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    Open a larger version of the following image in a popup: Leila Jeffreys, Boobook, Petrified wood, 2024
    Open a larger version of the following image in a popup: Leila Jeffreys, Boobook, Petrified wood, 2024 Leila Jeffreys. Photograph by Nigel Lough.
    Open a larger version of the following image in a popup: Leila Jeffreys, Boobook, Petrified wood, 2024
    Open a larger version of the following image in a popup: Leila Jeffreys, Boobook, Petrified wood, 2024

    Leila Jeffreys

    Boobook, Petrified wood, 2024
    pigment print on cotton rag
    37 x 30 cm, 41 x 32 cm (framed)
    1/1 plus 1 AP
    Courtesy of Olsen Gallery
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    Further images

    • (View a larger image of thumbnail 1 ) Yuliya Gwilym, sensory memories of home, 2024
    • (View a larger image of thumbnail 2 ) Yuliya Gwilym, sensory memories of home, 2024
    • (View a larger image of thumbnail 3 ) Yuliya Gwilym, sensory memories of home, 2024
    • (View a larger image of thumbnail 4 ) Yuliya Gwilym, sensory memories of home, 2024
    A Southern Boobook Owl perches atop petrified wood found in Queensland, reflecting the enduring presence of Australia's ancient landscapes and animal life. Petrified wood, formed over millions of years, stands...
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    A Southern Boobook Owl perches atop petrified wood found in Queensland, reflecting the enduring presence of Australia's ancient landscapes and animal life. Petrified wood, formed over millions of years, stands as a testament to nature's extraordinary timescales. With the boobook’s ancestors having lived in Australia for 60 million years. This piece highlights the reciprocal relationship between the owl and the tree, each offering a familiar refuge to the other—a tangible reminder of their shared history and home and the continuity of life across millennia.

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Arthouse Gallery

66 McLachlan Avenue

Rushcutters Bay NSW 2011

+61 2 9332 1019

ABN 73 080 113 926

Opening Hours
Tuesday to Friday 9.30am - 6pm

Saturday 10am - 5pm

Arthouse Gallery acknowledges the Gadigal people of the Eora Nation as the traditional owners of the land upon which the gallery stands.

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