Robyn Sweaney: Looking Sideways, Heading West
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Robyn SweaneyBy the River, 2015acrylic on linen100 x 200 cm, 106 x 206 cm (framed)
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Robyn SweaneyCircle of Marigolds, 2016acrylic on linen47 x 67 cm, 53 x 73 cm (framed)
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Robyn SweaneyHeading West, 2015acrylic on linen40 x 50 cm, 46 x 56 cm (framed)
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Robyn SweaneyHero, 2016acrylic on linen56 x 67 cm, 62 x 73 cm (framed)
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Robyn SweaneyLittle Blue House, 2016acrylic on linen40 x 50 cm
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Robyn SweaneyLong White Line, 2015acrylic on linen40 x 50 cm, 46 x 56 cm (framed)
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Robyn SweaneyLooking For Patterns, 2016acrylic on linen47 x 67 cm, 53 x 73 cm (framed)
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Robyn SweaneyNorth of the Border, 2015acrylic on linen40 x 50 cm, 46 x 56 cm (framed)
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Robyn SweaneyNumber 10, 2011acrylic on linen40 x 50 cm, 46 x 56 cm (framed)
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Robyn SweaneyOpen 7 Days, 2015acrylic on linen56 x 67 cm, 62 x 73 cm (framed)
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Robyn SweaneyPassing Through, 2015acrylic on linen40 x 50 cm, 46 x 56 cm (framed)
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Robyn SweaneyPresent Past, 2016acrylic on linen47 x 67 cm
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Robyn SweaneyRoom No 8, 2016acrylic on polycotton28 x 38 cm
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Robyn SweaneySanctuary, 2016acrylic on linen70 x 150 cm, 76 x 156 cm (framed)
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Robyn SweaneyThe Clearing, 2016acrylic on linen47 x 67 cm, 53 x 73 cm (framed)
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Robyn SweaneyThe Messenger, 2015acrylic on linen40 x 50 cm, 46 x 56 cm (framed)
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Robyn SweaneyThe Red Chair, 2016acrylic on linen40 x 50 cm
Based in Mullumbimby, Robyn Sweaney responds to the suburban mundane of her local rural environment in her layered explorations of Australian identity and place. Tightly refined homes and streetscapes divulge more than their mere exteriors, functioning as repositories of identity – aesthetic incarnations of the belief structures influencing human behaviours on emotional, intellectual and spiritual levels.
Sweaney’s new work traverses notions of travel, distance and the unknown. Drawing from her annual road trips heading west from the northern NSW coast, the artist captures the experience of being lost in the Australian landscape. Meandering through small towns and inland cities precipitates new ways of seeing suburban life, enabling her to forge imagined narratives to the hazy backdrop of other people’s lives. ‘The unease that the journey can bring returns me to a more innocent self […] The white line on the road connects me to the place I have come from to where I am heading’ says Sweaney, reflecting on how relinquishing routines and familiar environs carries her imagination through the fading past to a lingering future.