Dean Home: Floating Wine Cups
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Dean HomeAs You Enter the Forest, 2015oil on board100 x 160 cm, 104 x 164 cm (framed)
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Dean HomeBringing it Home, 2015oil on board122 x 170 cm, 126 x 174 cm (framed)
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Dean HomeFlight From the Secret Garden, 2015acrylic on canvas104 x 122 cm, 108 x 126 cm (framed)
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Dean HomeFrom the Dark Mountains, 2015oil on board104 x 122 cm, 106 x 126 cm (framed)
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Dean HomeHoney Eaters, 2015oil on board100 x 160 cm, 104 x 164 cm (framed)
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Dean HomeReturn to My Senses, 2014oil on board80 x 100 cm, 84 x 104 cm (framed)
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Dean HomeSummer Circus, 2015oil on board104 x 122 cm, 108 x 126 cm (framed)
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Dean HomeThe Alchemist's Poem, 2015oil on board60 x 85 cm, 64 x 89 cm (framed)
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Dean HomeThe Blooms and the Beans, 2014oil on board80 x 100 cm, 84 x 104 cm (framed)
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Dean HomeThe Fanciest Slipper, 2014oil on board80 x 100 cm, 84 x 104 cm (framed)
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Dean HomeThe Gardener's Meditation, 2015oil on board100 x 160 cm, 104 x 164 cm (framed)
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Dean HomeThe Overgrown Path, 2015oil on board122 x 190 cm
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Dean HomeThe Tempo of the Brush, 2015oil on board60 x 85 cm, 64 x 89 cm (framed)
Dean Home’s new suite of paintings hinges on the artist’s interest in Chinese art, poetry and philosophy. The works stylistically alloy Chinese culture with Italianate and Baroque tradition, forging a synthesis between the east and the west. Antique Chinese vessels with swathes of fabric, fecund fruit, calligraphy brushes and vivacious magnolias are rendered with exquisite chiaroscuro and a highly refined palette. The paintings are replete with symbolism, each object embedded with meaning which, through a dialogue of proximity with other objects, hatches an multi-layered narrative that is given form through the viewer’s imagination and experience.
Thematically, the exhibition draws on the ancient Chinese story of floating cups of wine down curving streams and composing a formal poem where each cup lands in a collective exchange of ideas. The symbolic relationship between wine and poetry in Chinese culture pivots on the belief that wine dissolves cognitive barriers and opens up the mind to new ideas. This tradition is a trope for Home’s new paintings, which are like a series of floating cups in the gallery space – vignettes of meaning to be consumed by the viewer.