John Baird: Horizon
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John BairdArrangement in Red, 2015acrylic, paper & shellac on board120 x 90 cm
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John BairdAutumnal Arrangement, 2015acrylic, paper & shellac on board80 x 60 cm
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John BairdBalancing Act, 2015acrylic, paper & shellac on board120 x 90 cm
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John BairdBridge and Horizon, 2015acrylic, paper & shellac on board150 x 120 cm
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John BairdCircular Quay, 2015acrylic, paper & shellac on board120 x 150 cm
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John BairdDeco Vase, 2015acrylic, paper & shellac on board80 x 60 cm
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John BairdDouble Bay, 2015acrylic & shellac on board90 x 120 cm
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John BairdFloral Rhythm, 2015acrylic, paper & shellac on board120 x 90 cm
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John BairdGaffer, 2015acrylic & shellac on board60 x 80 cm
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John BairdGaffer at North Head, 2015acrylic, paper & shellac on board120 x 120 cm
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John BairdGingham Table, 2015acrylic, paper & shellac on board150 x 120 cm
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John BairdHarbour Horizon, 2015acrylic, paper & shellac on board60 x 80 cm
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John Bairdinterior and Floral, 2015oil, fabric & shellac on board150 x 120 cm
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John BairdPinkish Floral, 2015acrylic, paper & shellac on board80 x 60 cm
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John BairdRunning, 2015acrylic & shellac on board120 x 150 cm
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John BairdSpiral Foliage, 2015acrylic, paper & shellac on board150 x 120 cm
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John BairdView From an Unlikely Tree, 2015acrylic, fabric, paper & shellac on board120 x 120 cm
John Baird has developed a bold, flattened aesthetic to examine the interior landscape of domestic life and the slippage between utilitarianism and decoration. Scouring demolition sites for material remnants of past lives, the artist laces his paintings with these revenant fragments, creating allegorical narratives, or what he terms ‘a coded diary lurking behind each work.'
Employing paint, wallpaper, fabric and shellac, Baird’s new series of work explores a triad of stand-alone subjects – coastal landscapes, the still life and animated figuration. The artist draws from the methods of early navigators who would make silhouetted sketches of the coastline. He recalibrates this practice by removing its cartographic purpose and focusing solely on its visual value, channelling this unique aesthetic into painted imagery of Sydney Harbour in silhouette. In a similar way, Baird taps into the past in his still lives, casting a thread in the direction of accidental collage practiced by Matisse and Motherwell, among others. However instead of focussing on this technique of chance, the artist again ciphers inspiration solely from the unique aesthetic of this modern practice. The third modality of his show, coastal playground paintings, are a stylised and mnemonic window into Baird’s childhood via the witnessed behaviour of his own children.