Works
  • Peter Simpson, A Bigger Wave, 2012
    Peter Simpson
    A Bigger Wave, 2012
    oil on linen
    138 x 327 cm
  • Peter Simpson, Cliff Face Dover Heights, 2012
    Peter Simpson
    Cliff Face Dover Heights, 2012
    oil on linen
    122 x 112 cm
  • Peter Simpson, Cliffs and Wave, 2012
    Peter Simpson
    Cliffs and Wave, 2012
    oil on canvas
    102 x 102 cm
  • Peter Simpson, Cliffs and Wave Study, 2012
    Peter Simpson
    Cliffs and Wave Study, 2012
    gouache on paper
    30 x 30 cm
  • Peter Simpson, Early Morning Sea off Dover Heights, 2012
    Peter Simpson
    Early Morning Sea off Dover Heights, 2012
    oil on linen
    153 x 168 cm
  • Peter Simpson, Malua Bay Headland, 2012
    Peter Simpson
    Malua Bay Headland, 2012
    oil on linen
    60 x 183 cm
  • Peter Simpson, Ochre Cliff and Outcrop, 2012
    Peter Simpson
    Ochre Cliff and Outcrop, 2012
    oil on linen
    153 x 122 cm
  • Peter Simpson, Sea and Cliffs Kurnell, 2012
    Peter Simpson
    Sea and Cliffs Kurnell, 2012
    oil on linen
    102 x 102 cm
  • Peter Simpson, Three Headlands Tasman Peninsula, 2012
    Peter Simpson
    Three Headlands Tasman Peninsula, 2012
    oil on linen
    76 x 76 cm
  • Peter Simpson, Violet Day Kurnell, 2012
    Peter Simpson
    Violet Day Kurnell, 2012
    oil on canvas
    102 x 102 cm
Exhibition Text

Peter Simpson’s latest collection of work focuses on the majestic landscape of Australia’s east and Tasmanian coastline.

This series of oil paintings , gouaches and monotypes explores such familiar scenes as Sydney Harbour, Botany Bay, and Malua Bay on the NSW South Coast capturing the essence of the place in a manner that is simultaneously temporally specific and timeless. Building on his previous body of work presented in the 2010 ‘Shimmer’ exhibition, Simpson’s new series of paintings are a subtle evocation of culture and spirit, embodied by the landscape.” - Artist Profile magazine, August 2012.

Peter Simpson has approached these works with a level of intimacy akin to portraiture, where the delicate strokes of his brush accentuate the stately personality of his towering and nobel subjects.

Installation Views