Joshua Yeldham: River Song
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Joshua YeldhamBarrenjoey – Pittwater, 2010carved paper with shellac200 x 200 cm
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Joshua YeldhamBird Island – Pittwater, 2010carved board with oil & cane240 x 152 cm
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Joshua YeldhamBlessed By the Tide – Hakesbury River , 2010carved board with oil, fibreglass & wood120 x 92 cm
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Joshua YeldhamLove Birds – Hawkesbury River , 2010carved board with oil, cane, fibreglass & drum152 x 240 cm
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Joshua YeldhamLove Owl – Morning Bay (13/20), 2010hand-carved pigment print and shellac145 x 96 cm, 156 x 108 cm (framed)Sold
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Joshua YeldhamMorning Bay – Black Moon, 2010carved paper with shellac200 x 100 cm
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Joshua YeldhamMorning Bay – Lovers Rock, 2010carved board with oil & cane152 x 240 cm
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Joshua YeldhamOwl of Blue Taro – Pittwater, 2010carved board with oil, cane & shells182 x 122 cm
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Joshua YeldhamPrayer For Protection – Hawkesbury River , 2010carved board with oil, shellac, resin & cane152 x 120 cm
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Joshua YeldhamProtection – Mangrove Country , 2010carved paper with pigment98 x 148 cm
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Joshua YeldhamRed Bird – Morning Bay , 2010carved paper with shellac121 x 103 cm
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Joshua YeldhamRivers Edge – Hawkesbury River, 2010carved board with oil120 x 92 cm
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Joshua YeldhamWhite Creek – Mangrove Country, 2010carved paper with pigment & shellac98 x 145 cm
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Joshua YeldhamWood Owl (Ed. of 20), 2010carved resin with cane170 x 39 x 39 cm
There is a graphic intensity to Josh Yeldham’s latest works that is rarely – if ever – seen in contemporary art. This is the work of both an obsessive artisan and a potent visionary. This is the stuff of dreams made solid, carved impeccably, stroke by miniscule stroke, tethering the smoky regions of memory and mind onto a solid surface.
Each of us will see our own dreams here. We will try and grapple with why these images seem so immediately recognisable and then realise we have never seen them before outside of somnambulistic flights of fantasy. We will think of the iconography of Eastern mysticism only to realise that this is a ruse – it may be an influence but these images are very much Yeldham’s own.
Of course they are not paintings per se. But nor are they sculptures as we have come to know that term. Technically these works are truly unique, beautiful hybrids of craft and vision.
Technically they are works by a youthful master.
Excerp from River Music (2010) catalogue essay by Ashley Crawford