Jo Bertini: Songs of Dry Hills
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Jo BertiniA Bird That Sings Within a Dish of Sand, 2021oil on Belgian linen204 x 154 cm, 206.5 x 156.5 cm (framed)
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Jo BertiniBone Valley – All Words Have Roots Here, 2020oil on French polyester canvas122 x 92 cm, 125 x 93.5 cm (framed)
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Jo BertiniCasting a Wish Beneath the River, 2021oil on Belgian linen198.5 x 152.5 cm, 201 x 155 cm (framed)
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Jo BertiniDry Wash, 2020oil on French polyester canvas122 x 152 cm, 124.5 x 154.5 cm (framed)
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Jo BertiniFallen Forest, 2021oil on French polyester canvas164 x 131 cm, 166.5 x 133.5 cm (framed)
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Jo BertiniHauntings – What the Desert Retains (a Garden of Sacred Mountains), 2021oil on Belgian linen200 x 204 cm
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Jo BertiniHidden River of Sand, 2021oil on Belgian linen200 x 204 cm, 202.5 x 206.5 cm (framed)
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Jo BertiniLand of Journey’s End, 2021oil on Belgian linen122 x 162.5 cm
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Jo BertiniLand of Little Rain, 2021oil on French polyester canvas132 x 126.5 cm
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Jo BertiniLow Lying Cloud, 2021oil on Belgian linen91.5 x 102 cm, 94 x 104.5 cm (framed)
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Jo BertiniRewilding – Desert Snow , 2021oil on Belgian linen97 x 102 cm, 99.5 x 104.5 cm (framed)
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Jo BertiniSand Sky, 2021Oil on French polyester canvas91 x 132.5 cm, 93.5 x 135 cm (framed)
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Jo BertiniSandhills Calling Cranes, 2021oil on French polyester canvas137 x 167.5 cm, 139.5 x 170 cm (framed)
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Jo BertiniSeeding a Tumbled Canyon, 2021oil on Belgian linen204 x 157 cm, 206.5 x 159.5 cm (framed)
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Jo BertiniTalking to the Wind (Mourning Dove), 2021oil on Belgian linen203.5 x 152.5 cm, 206 x 155 cm (framed)
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Jo BertiniThe Ancient Forgiveness Trees, 2021iridescent pigment & oil on French polyester canvas91 x 91 cm, 93.5 x 93.5 cm (framed)
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Jo BertiniThe Golden Hour, 2021oil on French polyester canvas137 x 137 cm, 139.5 x 139.5 cm (framed)
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Jo BertiniThe Language of the Wind, 2020iridescent pigment & oil on French polyester canvas97 x 173 cm, 99.5 x 175.5 cm (framed)
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Jo BertiniTrail of the Cliff Dwellers, 2021oil on Belgian linen198.5 x 152.5 cm, 201 x 155 cm (framed)
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Jo BertiniWeather Watcher – Cactus Wren Chasing Cloud Shadows, 2021oil on Belgian linen112 x 91.5 cm, 114.5 x 94 cm (framed)
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Jo BertiniWildness Broke Open, 2021oil on French polyester canvas205 x 200 cm, 207.5 x 202.5 cm (framed)
Throughout her career, Bertini has refined a highly distinctive way of rendering scenes of nature that are emotive, impressionistic, and elemental. Through the application of natural ochres, and iridescent powders mixed with coloured pigments, she achieves a mineral richness and a sense of life and movement. New colours and textures emerge according to the time of day, quality of light, and angle of observation, in keeping with the ephemeral qualities of the desert itself.
Bertini recalls an Arrernte saying – ‘the desert right sizes you’. The boundless space and the sheer geological evidence for deep time create space for perspective and existential contemplation. ‘You look at the stratifications in the desert – layers of yellow ochre, bright red rich oxides, sandstone… you look at this painted land and those layers represent millions and millions of years.’ Any one of those layers could encapsulate the totality of man’s occupation of this planet. Works such as Hauntings – What the Desert Retains (A Garden of Sacred Mountains) create the impression of a time-based study and a sense of existential pondering. The composition seems to peel and warp, a small snatch of night sky is peppered with stars in motion. There is a beautiful clash between absolute stillness and the mind-bending speed of the earth's rotation. Reproducing this effect of ‘earth-turning consciousness’ (a term coined by the outback astronomer Greg Quicke) is no mean feat.
The notion of abundance in the desert can seem contradictory, but Bertini depicts landscapes that she knows, with great intimacy, to be culturally, aesthetically and biologically plentiful. The cliched vision of scrubby and sparse vegetation and red dirt contrasts with the reality of rich and unique floral and faunal biodiversity. Lands that have been dismissed by Western colonisers and consciousness as untenable and worthless have sustained and nurtured civilizations and communities across time, and into the present.
In fact, challenging the assumptions and western mythologies of desert landscapes is a central tenet of her practice. Throughout her life's work, Bertini has confronted and deconstructed predominately macho-capitalist perspectives on the land. She explains that the female experience and knowledge of wilderness has been overshadowed and undervalued for too long. Her immense archive of sketchbooks and journals will eventually be bequeathed to the National Library of Australia, in an effort to bridge this gap. The paintings from the ‘Songs of Dry Hills’ series are imbued with this same spirit of generosity. Stemming from a heartfelt love for the land, Bertini encourages us to slow down, pay attention to, and appreciate the natural world.
Pippa Mott
Arts Writer & Curator, Museum of Old and New Art (MONA), Tasmania