Works
  • Belinda Fox, Connector – Fragment 3 (CP), 2017
    Belinda Fox
    Connector – Fragment 3 (CP), 2017
    woodcut & handstain
    115 x 176 cm, 132.5 x 195 cm (framed)
  • Belinda Fox, Connector – Fragment 6 (Ed. of 12), 2017
    Belinda Fox
    Connector – Fragment 6 (Ed. of 12), 2017
    woodcut & handstain
    115 x 176 cm
  • Belinda Fox, Remnant, 2017
    Belinda Fox
    Remnant, 2017
    watercolour, acrylic, encaustic wax & drawing on board
    40 x 50 cm
  • Belinda Fox, Tapestry I (Compression), 2017
    Belinda Fox
    Tapestry I (Compression), 2017
    watercolour, acrylic, encaustic wax & drawing on board
    110 x 200 cm
  • Belinda Fox, Tapestry II (History Has a Way), 2017
    Belinda Fox
    Tapestry II (History Has a Way), 2017
    watercolour, drawing, acrylic, collage & encaustic wax on board
    200 x 220 cm
  • Belinda Fox, Tapestry III (Group in Sea After Guston), 2017
    Belinda Fox
    Tapestry III (Group in Sea After Guston), 2017
    watercolour, drawing & acrylic on board
    110 x 100 cm
  • Belinda Fox, Tapestry IV, 2017
    Belinda Fox
    Tapestry IV, 2017
    watercolour, drawing & acrylic on board
    110 x 100 cm
  • Belinda Fox, Tapestry IX (Pick Up the Pieces), 2017
    Belinda Fox
    Tapestry IX (Pick Up the Pieces), 2017
    watercolour, drawing, acrylic, collage & encaustic wax on board
    100 x 110 cm
  • Belinda Fox, Tapestry V (Incoming), 2017
    Belinda Fox
    Tapestry V (Incoming), 2017
    watercolour, drawing & acrylic on board
    110 x 100 cm
  • Belinda Fox, Tapestry VI, 2017
    Belinda Fox
    Tapestry VI, 2017
    watercolour, drawing & acrylic on board
    110 x 100 cm
  • Belinda Fox, Tapestry VIII (Listen), 2017
    Belinda Fox
    Tapestry VIII (Listen), 2017
    watercolour, drawing, acrylic, collage & encaustic wax on board
    110 x 200 cm
  • Belinda Fox, Tapestry X (Group in Sea II – After Guston), 2017
    Belinda Fox
    Tapestry X (Group in Sea II – After Guston), 2017
    watercolour, drawing, acrylic, collage & encaustic wax on board
    100 x 110 cm
  • Belinda Fox, Tapestry XI (Witness III), 2017
    Belinda Fox
    Tapestry XI (Witness III), 2017
    watercolour, drawing, acrylic, collage & encaustic wax on board
    50 x 80 cm
  • Belinda Fox, Tapestry XII, 2017
    Belinda Fox
    Tapestry XII, 2017
    watercolour, drawing, acrylic, collage & encaustic wax on board
    50 x 40 cm
  • Belinda Fox & Neville French, Tilt 1, 2017
    Belinda Fox & Neville French
    Tilt 1, 2017
    Porcelain with slips, wood ash, limestone glazes & acrylic
    38 x 30 x 28 cm
  • Belinda Fox & Neville French, Tilt 4, 2017
    Belinda Fox & Neville French
    Tilt 4, 2017
    Porcelain incised with wood ash & limestone glazes
    26 x 26 x 33 cm
  • Belinda Fox & Neville French, Tilt 5 – A, 2017
    Belinda Fox & Neville French
    Tilt 5 – A, 2017
    Porcelain inlaid & incised with wood ash & limestone glazes & acrylic
    21 x 16 x 15 cm
  • Belinda Fox & Neville French, Tilt 5 – B, 2017
    Belinda Fox & Neville French
    Tilt 5 – B, 2017
    Porcelain inlaid & incised with wood ash & limestone glazes & acrylic
    20 x 20 x 23 cm
  • Belinda Fox & Neville French, Tilt 6, 2017
    Belinda Fox & Neville French
    Tilt 6, 2017
    Porcelain with brushed oxide & acrylic
  • Belinda Fox & Neville French, Tilt 7, 2017
    Belinda Fox & Neville French
    Tilt 7, 2017
    Porcelain with oxides, slips & wood ash & limestone glazes
    34 x 34 x 30 cm
  • Belinda Fox & Neville French, Tilt 8, 2017
    Belinda Fox & Neville French
    Tilt 8, 2017
    Porcelain with oxides, slips & wood ash & limestone glazes
    33 x 33 x 30 cm
  • Belinda Fox & Neville French, Tilt 9, 2017
    Belinda Fox & Neville French
    Tilt 9, 2017
    Porcelain with oxides, slips & wood ash & limestone glazes
    36 x 27 x 22 cm
  • Belinda Fox & Neville French, Tilt 12, 2017
    Belinda Fox & Neville French
    Tilt 12, 2017
    Porcelain inlaid & brushed slips with wood ash, limestone glazes & acrylic
    30 x 32 x 20 cm
  • Belinda Fox & Neville French, Tilt 13, 2017
    Belinda Fox & Neville French
    Tilt 13, 2017
    Porcelain inlaid & incised with wood ash & limestone glazes
    26 x 26 x 30 cm
  • Belinda Fox & Neville French, Tilt 18, 2017
    Belinda Fox & Neville French
    Tilt 18, 2017
    Porcelain inlaid & incised with wood ash & limestone glazes
    25 x 32 x 25 cm
  • Belinda Fox, Tilt I, 2017
    Belinda Fox
    Tilt I, 2017
    archival pigment print on paper mounted to dibond aluminium
    240 x 590 cm
    AP
  • Belinda Fox, Tilt I (Ed. of 3), 2017
    Belinda Fox
    Tilt I (Ed. of 3), 2017
    archival pigment print on paper mounted to Dibond aluminium
    240 x 590 cm
  • Belinda Fox, Tilt II (Ed. of 3), 2017
    Belinda Fox
    Tilt II (Ed. of 3), 2017
    archival pigment print on paper mounted to Dibond aluminium
    240 x 194 cm
  • Belinda Fox, Witness I, 2017
    Belinda Fox
    Witness I, 2017
    watercolour, acrylic & drawing on board
    50 x 40 cm
  • Belinda Fox, Witness II, 2017
    Belinda Fox
    Witness II, 2017
    watercolour, acrylic & drawing on board
    40 x 50 cm
Exhibition Text

Drawing from her virtuosic skills as a former Master Printer and informed by extensive travels, Belinda Fox creates meticulous works centred on the duality of human experience. Working in painting, ceramics, sculpture and printmaking, the artist responds to the strains of conflict endemic to contemporary human experience.

 

Notions of survival materialise in ‘Tapestry’ as Fox examines the volatility of our era. Currently based in The Hague, The Netherlands, the artist presents us with a new chapter in her practice informed by a global perspective. The show expands upon humanitarian concerns surrounding the refugee crisis recently raised in Fox’s multi-media installation ‘Tilt’ at Manly Art Gallery and Museum, collaboratively created with Neville French. In harrowing moments frozen in time, thin veils of watercolour render tempestuous waves while faint, faceless figures scramble up sinking ships like already-forgotten presences washed away from collective memory.  Meanwhile, poppies bloom in remembrance and seagulls watch on, witnesses to humanity’s failures and resilience and supreme adaptors to an increasingly unstable environment. Fragments from previous paintings and pages from historical documents are collaged throughout the works in a patchwork of personal and political history. In her search for balance and harmony, Fox invokes the precarious line that divides hope and despair, empathy and cruelty, beauty and decay.

 

Belinda Fox has forged an international career showing in Australia, Hong Kong, Singapore, Korea, Jakarta and now in Europe. She has received several notable awards and residencies including a sculpture project with Urban Arts Projects (UAP) in Shanghai, printmaking residencies at C.A.P Studios, Thailand and Skopelos, Greece. Her work is held in major collections including AGNSW, NGV, NGA, Manly Art Gallery & Museum, QUT Art Museum, Artbank, Fremantle Arts Centre, Print Council Of Australia, Swan Hill Regional Gallery and Wollongong University. In 2016 a monograph of Fox’s practice was published by Goff editions, USA, titled Back to the Start.

Installation Views