Works
  • Colin Pennock, Broken Path, 2017
    Colin Pennock
    Broken Path, 2017
    oil on linen
    183 x 183 cm
  • Colin Pennock, Coastal Intrusion, 2017
    Colin Pennock
    Coastal Intrusion, 2017
    oil on linen
    80 x 80 cm
  • Colin Pennock, Five Years, 2017
    Colin Pennock
    Five Years, 2017
    oil on linen
    200 x 230 cm
  • Colin Pennock, If You Kept Going Past Us, 2017
    Colin Pennock
    If You Kept Going Past Us, 2017
    oil on linen
    122 x 122 cm
  • Colin Pennock, Mountain Recluse, 2017
    Colin Pennock
    Mountain Recluse, 2017
    oil on linen
    200 x 200 cm
  • Colin Pennock, My Epiphany, 2017
    Colin Pennock
    My Epiphany, 2017
    oil on linen
    140 x 140 cm
  • Colin Pennock, Past intrusion, 2017
    Colin Pennock
    Past intrusion, 2017
    oil on linen
    140 x 140 cm
  • Colin Pennock, Silent Tribute, 2017
    Colin Pennock
    Silent Tribute, 2017
    oil on linen
    61 x 61 cm
  • Colin Pennock, The Way Open to Us, 2017
    Colin Pennock
    The Way Open to Us, 2017
    oil on linen
    183 x 183 cm
  • Colin Pennock, Tribute, 2016
    Colin Pennock
    Tribute, 2016
    oil on linen
    80 x 80 cm
  • Colin Pennock, West of Us, 2017
    Colin Pennock
    West of Us, 2017
    oil on linen
    153 x 122 cm
Exhibition Text

Pennock’s new collection of paintings, ‘Intrusion’, externalises the artist’s recent ruminations on the parallel journeys of his life and work. He self-reflexively examines his own visual language, often revisiting formative works to unlock the way forward. ‘I travel back and forth through the long journey I’ve taken to make my own language’ says Pennock, ‘There’s a clarity in this process’. This symbiotic burrowing into his past enables him to remerge with the resilience to overcome the vestial vulnerabilities that seem so endemic to artists.

 

Sensitive to the struggles and conflicts riddling our global climate that puncture his peace, Pennock takes hold of such ‘intrusions’ and forces them to find a quiet place within the colourful tapestry of his work. He has come to understand that ‘the archetype of mankind’s traditions are a struggle between good and evil’, translating this dynamic tension into visual dialogues between light and dark amidst a spectrum of shades and hues. For Pennock, the landscape holds the key to unlocking the complexities of such tensions. Dark moments of coal black cushioned with comforting swathes of pearl, lilac, milky cyan, pale blue reconstruct place in a way that finds a home for life’s little intrusions within the bigger picture. Through this, Pennock unites memories and reality in his ever-evolving journey forward.

Installation Views