Works
  • Emma Walker, Desert Song I, 2016
    Emma Walker
    Desert Song I, 2016
    acrylic & ochre on carved board
    31 x 31 cm
  • Emma Walker, Desert Song II, 2016
    Emma Walker
    Desert Song II, 2016
    acrylic & ochre on carved board
    31 x 31 cm
  • Emma Walker, Desert Song III, 2016
    Emma Walker
    Desert Song III, 2016
    acrylic & ochre on carved board
    31 x 31 x 3 cm
  • Emma Walker, Heart Land, 2016
    Emma Walker
    Heart Land, 2016
    oil & acrylic on carved board
    182 x 153 cm
  • Emma Walker, Mineral Song I, 2016
    Emma Walker
    Mineral Song I, 2016
    oil & acrylic on carved board
    63 x 63 cm
  • Emma Walker, Pathways, 2016
    Emma Walker
    Pathways, 2016
    oil & acrylic on carved board
    63 x 63 x 4 cm
  • Emma Walker, Plunge, 2016
    Emma Walker
    Plunge, 2016
    oil & acrylic on carved board
    125 x 97 x 6 cm
  • Emma Walker, Purple Rain, 2016
    Emma Walker
    Purple Rain, 2016
    oil & acrylic on carved board
    203 x 247 x 6 cm
  • Emma Walker, Salt Lake III, 2016
    Emma Walker
    Salt Lake III, 2016
    oil & acrylic on carved board
    125 x 97 x 6 cm
  • Emma Walker, Sand Bed, 2016
    Emma Walker
    Sand Bed, 2016
    oil & acrylic on carved board
    41 x 41 x 4 cm
  • Emma Walker, Sea Garden I, 2016
    Emma Walker
    Sea Garden I, 2016
    oil & acrylic on carved board
    182 x 153 x 6 cm
  • Emma Walker, Sea Garden II, 2016
    Emma Walker
    Sea Garden II, 2016
    oil & acrylic on carved board
    182 x 153 x 6 cm
  • Emma Walker, Sea Song, 2016
    Emma Walker
    Sea Song, 2016
    oil & acrylic on carved board
    63 x 63 x 4 cm
  • Emma Walker, Shore Song, 2016
    Emma Walker
    Shore Song, 2016
    oil & acrylic on carved board
    63 x 63 x 4 cm
Exhibition Text

‘Sediment Songs’ represents Emma Walker’s intuitive translations of different experienced environments. Carved and painted on board, the works channel the vast native landscapes the artist has walked through in Central Australia as well as Walker’s home on the coastal fringe of Northern New South Wales. The geographic and topological nuances of these diametric landscapes are buttressed against the artist’s poetic vision of the world, in which landscape, memory and the subconscious are connected through texture, tactility and surface.

 

The abstracted landscapes in ‘Sediment Songs’ emerged organically, merging and mingling with the artist’s memory in a fluid process of revelation and concealment. For Walker, they are in a perpetual state of becoming – nascent formations that resist fixed and finite meaning. From ancient landscapes of sea, rock and sky to the microscopic patterns and rhythms that power existence, the works allusively move between the micro and the macro in a formative dance.

 

Walker’s works are as much about the process of painting as they are with visually imprinting the Australian environment. Their unique imagery emerges from a combination of experimentation and automaticity, each mark growing from the next in a catalytic reaction that emulates the geological occurrences that cause continents to move and shorelines to reshape, etching on the faces of rocks, rivers and ravines. Each work percolates for months, layer upon layer applied on timber, scraped back, sanded, gouged, glazed, grinded at and re applied. In this way, every painting embodies a history of process and time. ‘They have been plagued by uncertainty and enlivened with the delights of discovery’, says the artist, ‘I have tried to leave them all at a stage that reflects some kind of completion but I also feel as if they have no end.’ 

Installation Views