Works
  • Susan Baird, Back Country, 2015
    Susan Baird
    Back Country, 2015
    oil on linen
    137 x 137 cm
  • Susan Baird, Blush, 2016
    Susan Baird
    Blush, 2016
    oil on linen
    137 x 137 cm
  • Susan Baird, Conifer and Bay, 2016
    Susan Baird
    Conifer and Bay, 2016
    oil on linen
    26 x 41 cm
  • Susan Baird, Connie Dam, 2014
    Susan Baird
    Connie Dam, 2014
    mixed media on paper
    33.5 x 37 cm
  • Susan Baird, Craigmoor, 2014
    Susan Baird
    Craigmoor, 2014
    oil on linen
    153 x 204 cm
  • Susan Baird, Craigmoore From Warry’s, 2016
    Susan Baird
    Craigmoore From Warry’s, 2016
    oil on linen
    31 x 41 cm, 35 x 45.5 cm (framed)
  • Susan Baird, Dennes Point, 2016
    Susan Baird
    Dennes Point, 2016
    oil on linen
    25.5 x 31 cm
  • Susan Baird, Essence, 2016
    Susan Baird
    Essence, 2016
    oil on linen on board
    29 x 29 cm
  • Susan Baird, Field and Willow, 2014
    Susan Baird
    Field and Willow, 2014
    mixed media on paper
    33.5 x 47 cm
  • Susan Baird, Heat and Dam, 2016
    Susan Baird
    Heat and Dam, 2016
    oil on linen
    62 x 66 cm
  • Susan Baird, Janet and Julie’s, 2014
    Susan Baird
    Janet and Julie’s, 2014
    oil on linen
    33 x 47 cm
  • Susan Baird, Kaleidoscope, 2015
    Susan Baird
    Kaleidoscope, 2015
    oil on linen
    25.5 x 41 cm
  • Susan Baird, Leaving Cygnet, 2016
    Susan Baird
    Leaving Cygnet, 2016
    oil on linen
    25.5 x 31 cm
  • Susan Baird, Magenta Glow, 2016
    Susan Baird
    Magenta Glow, 2016
    oil on linen
    137 x 137 cm
  • Susan Baird, Passing, 2016
    Susan Baird
    Passing, 2016
    oil on linen
    25 x 30 cm
  • Susan Baird, Pink Light, Bruny, 2016
    Susan Baird
    Pink Light, Bruny, 2016
    oil on linen
    25 x 56 cm
  • Susan Baird, Reflected Conifer, 2016
    Susan Baird
    Reflected Conifer, 2016
    oil on linen
    163 x 122 cm
  • Susan Baird, Sheds and Tank, 2015
    Susan Baird
    Sheds and Tank, 2015
    oil on linen
    30.5 x 61 cm
  • Susan Baird, Storm Bay, 2016
    Susan Baird
    Storm Bay, 2016
    oil on linen
    25.5 x 31 cm
  • Susan Baird, Study After Craigmoor, 2015
    Susan Baird
    Study After Craigmoor, 2015
    oil on linen
    25.5 x 31 cm
  • Susan Baird, Sweep, 2016
    Susan Baird
    Sweep, 2016
    oil on linen
    25.5 x 31 cm, 30 x 35 cm (framed)
  • Susan Baird, Tasman Blue, 2016
    Susan Baird
    Tasman Blue, 2016
    oil on linen
    25 x 56 cm
  • Susan Baird, The Avenue, 2016
    Susan Baird
    The Avenue, 2016
    oil on linen
    30.5 x 41 cm, 35 x 45.5 cm (framed)
  • Susan Baird, The Connie Dam, 2016
    Susan Baird
    The Connie Dam, 2016
    oil on linen
    137 x 137 cm
  • Susan Baird, The Foundry (Dypych), 2016
    Susan Baird
    The Foundry (Dypych), 2016
    oil on linen
    78.5 x 183 cm
  • Susan Baird, Two Paddocks, Bruny, 2016
    Susan Baird
    Two Paddocks, Bruny, 2016
    oil on linen
    41 x 122 cm
  • Susan Baird, Verdant Hum, 2016
    Susan Baird
    Verdant Hum, 2016
    oil on linen
    29 x 29 cm
  • Susan Baird, View From the Cottage, Bruny, 2015
    Susan Baird
    View From the Cottage, Bruny, 2015
    oil on linen
    31 x 38.5 cm
  • Susan Baird, White Light, Bruny, 2016
    Susan Baird
    White Light, Bruny, 2016
    oil on linen
    25.5 x 31 cm
  • Susan Baird, Willow and Dam, 2016
    Susan Baird
    Willow and Dam, 2016
    oil on linen
    137 x 137 cm
Exhibition Text

Susan Baird’s new suite of paintings capture the evolving sense of place that the artist has developed from immersing herself in different landscapes throughout her long career. Largely created en plein air across Hill End and Tasmania, the paintings canvass the vicissitudes of the natural world, springing as much from physical topographies as they do from psychological, emotional and spiritual affiliations. Vibrant strokes of colour, swift brushwork and suggested forms conjure a kind of optic memory, evoking the sensations of form, shape, light and colour experienced out in the field. This poetic visual language is, in the artist's own words, made up of ‘observations of many moments of seeing and distilling the landscape from its infinite possibilities’. She works slowly and observes time unfolding, and yet there is a movement and transience to the works – as if glimpsed fleetingly from a car window. Consciously harnessing liminal or ‘in between’ moments – when the sun retreats behind a cloud, the wind caressing the trees or the pool of light that gushes in at the day’s end  – the works channel Baird's harmonic awareness of the rhythms of nature.

 

‘Sense of Place’ maps Baird’s artistic migration from Hill End to Tasmania, charting her aesthetic responses to these diverse Australian landscapes. Having undertaken two residencies in the gold-rush town of Hill End, the artist continues to contribute her unique voice to the deep regional artistic legacy of this iconic place. The paintings in ‘Sense of Place’ capture revenant vistas of the town’s former glory and colonial past via otherworldly landscapes imbued with effervescent colour, transformative light and shifting atmosphere.  Some of the works depict a dam and its reflections surrounded by sweeping meadows on the far side of the town where the locals used to retreat from the heat and the dust in the 1850s. The paintings created in Tasmania are also the crop of an artist residency, undertaken on Bruny Island in November 2015. For Baird, the light in Tasmania was unlike anything she had experienced before and these works hence required a vast shift in palette. She found herself ‘feeling’ her way through the landscape, her poetic renditions of land and sky hinging on intuition and observation, as well as her natural fluency with form, pigment and tone. For the artist, the exhibition ‘pays homage to the landscape, the friends that share these places and the stories that these landscapes hold […] In a world that has become increasingly dehumanised I hope to share an honest record of my personal experience and love of landscape and light’.

Installation Views