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Kate Bergin — Table of Contents 2023

Arthouse Gallery

66 McLachlan Avenue

Rushcutters Bay NSW 2011

+61 2 9332 1019

ABN 73 080 113 926

Opening Hours
Tuesday to Friday 9.30am - 6pm

Saturday 10am - 5pm

Arthouse Gallery acknowledges the Gadigal people of the Eora Nation as the traditional owners of the land upon which the gallery stands.

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Open a larger version of the following image in a popup: Kate Bergin, Tourists of the Beautiful Age (Featuring Pierre – Auguste Renoir's Luncheon of the Boating Party, 1880 – 81), 2023

Kate Bergin

Tourists of the Beautiful Age (Featuring Pierre – Auguste Renoir's Luncheon of the Boating Party, 1880 – 81), 2023
oil on canvas
175 x 205 cm, 178 x 208 cm (framed)
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Seemingly effortlessly Renoir has united in his monumental painting the compositional traditions of landscape, figurative and still life genres. I’d also say portraiture as each person has been identified but...
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Seemingly effortlessly Renoir has united in his monumental painting the compositional traditions of landscape, figurative and still life genres. I’d also say portraiture as each person has been identified but today they have become not just Renoir’s friends but ours.


They are the people we know, the friends we have lunch with. Their casual interactions and conversations can be sensed and felt. We can almost hear the sounds of the languid afternoon. Re-painting it can be like tracing the hand of the master and travelling back to his studio to see him carefully composing the formal elements. You start to see the re-workings, the faint mark of a changed hand position and extraordinary balance of colour around the space. And all those hats – so many hats!


When Duncan Phillips acquired this painting in 1923 for the Phillips Collection in Washington DC he had intended to purchase a few of Renoir’s paintings to create a suite of his work to attract tourists from all over the world. It turned out he only needed this painting. And the pilgrimages continue to this day.


In this painting I’ve added a companion dog (my little Cavalier, Gatsby) to Renoir’s future wife, Aline Chariot’s little terrier. A boat to reflect the boats in the the background and a handbag holding a scarf that picks up the colours in Renoir’s composition. The top hat reflects not only the top-hatted Charles Ephrussi, the editor of Gazette des beaux-arts at the back but also the magic of Renoir’s brilliance. The seagulls not only suggest the usual uninvited guests at a picnic but also formally connect the painting within a painting.


The 1940’s bakelite phone dial reads “In Case of Emergency Dial Ext 170” suggesting the underlying menace that will destroy this Belle Epoque. The tumultuous days of war are coming and while this Beautiful Age will come to an end this painting will forever remind us to always enjoy the simple pleasures of life ... a lunch with friends where we can be tourists in our own Beautiful Age. – Kate Bergin
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