30 Year Showcase
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Jo DavenportBlue Rag Track, 2025oil on Belgian linen183 x 183 cm$28,000
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Jo DavenportLost Love Song, 2025oil on Belgian linen168 x 137 cm$20,000
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John BairdTulips, 2025acrylic, wallpaper and shellac on board
100 x 100 cm, 102 x 102 cm (framed)$8,900 -
Aaron KinnaneComing Home To Better Days — Winter Rain, 2025oil on linen72 x 192 cm, 75.5 x 195.5 (framed)$15,000
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Aaron KinnaneChop Wood – Carry Water I, 2025oil on board in artist frame of charred paulownia23 x 17.5 cm, 35 x 31.5 cm (framed)Sold
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Aaron KinnaneChop Wood – Carry Water II, 2025oil on board in artist frame of charred paulownia20 x 17.5 cm, 39.5 x 25.5 cm (framed)$2,500
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Aaron KinnaneComing Home To Better Days — Rain in the Evening, 2025oil on linen54 x 48 cm, 57.5 x 51.5 cm (framed)$5,400
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Aaron KinnaneComing Home To Better Days — Rain in the Morning, 2025oil on linen54 x 48 cm, 57.5 x 51.5 cm (framed)$5,400
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Martine EmdurObsidian Reverie, 2025oil on linen183 x 244 cm$ 85,000.00
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Amelia LynchBlossoms in the Night, 2025glazed ceramicSold
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Peter SimpsonRedleaf Revisited, 2025oil on linen91.5 x 183 cm, 92.5 x 185 cm (framed)$10,600
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Emma WalkerBecoming, 2025acrylic on carved marine ply120 x 150 cm, 122 x 152 cm (framed)$16,500
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Emma WalkerInterbeing I, 2025mixed media on paper58 x 35 cm (framed)$2,600
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Emma WalkerInterbeing II, 2025mixed media on paper40 x 31 cm (framed)$2,400
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Emma WalkerInterbeing III, 2025mixed media on paper40 x 31 cm (framed)$2,400
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Shona WilsonSummer Yantra, 2025insect wings on paper76 x 56 cm, 86 x 66 cm (framed)$4,990
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Shona WilsonSummer Mantra, 2025insect wings on paper76 x 56 cm, 86 x 66 cm (framed)$4,990
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Nicola MossThe Bonsai Room II, 2025acrylic and paper on linen152 x 224 cm, 155 x 227 cm (framed)$26,000
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Nicola MossTree Chorus II, 2025acrylic and paper on linen112 x 152 cm, 115 x 155 cm (framed)Sold
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Nicole KellyTwisted Limbs, 2022oil on linen86 x 71 cm$6,500
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Clifford HowDesert Patterns – Fowlers Gap Study, 2025gouache on paper20 x 22 cm, 35 x 37 cm (framed)$1,600
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Clifford HowDesert Patterns – Fowlers Gap, 2025oil on linen137.5 x 153 cm, 139.5 x 155 cm (framed)Sold
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Dean HomeSecrets of the Blue Garden, 2025oil on board122 x 160 cm$38,000
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Michael MuirMountain Sideoil on linen137 x 122 cm$24,000
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Deborah HalpernDove, 2024glass, steel, fibreglass & aluminium180 x 155 x 82 cm$80,000
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Deborah HalpernMonsieur Moustache, 2025glass, steel, and fibreglass67 x 30 x 56 cm$25,000
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Robyn SweaneyEven Ground, 2025acrylic on polycotton50 x 70 cm, 52.5 x 72.5 cm (framed)Sold
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Ian GreigWhian Whian Afternoon, 2025oil on linen101 x 101 cm$9,500
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Ian GreigCoastward, 2025oil on linen74 x 60 cm$4,990
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Joshua YeldhamMelody for an Owl, 2025acrylic, cane and instrument on hand-carved board200.5 x 199.5 cm, 201.5 x 201 cm (framed)$140,000
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Kate DorroughRiver Sediments, 2025stoneware ceramic with glaze21.5 x 24 x 14 cmSold
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Kate DorroughAncient Markings, 2025stoneware ceramic with glaze26 x 17 x 13 cmSold
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Kate DorroughEmbedded Sea, 2025stoneware ceramic with glaze28 x 31 x 16 cm$2,200
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Kate DorroughRiver Alchemy, 2025stoneware ceramic with glaze25 x 16 x 13 cm$1,800
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Kate DorroughHeraldic Signs of an Ancient River, 2025acrylic on linen137 x 152 cm$9,500
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Kate DorroughMidnight Serenade, 2025acrylic on linen97 x 107 cmSold
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Michaye BoulterPassages, 2025oil on linen152.5 x 204.5 cm, 154.5 x 206.5 cm (framed) (dyptich 152.5 x 102 cm each)$29,500
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Fabrizio BivianoFlash a Casanova Smile, 2025oil on Belgian linen91 x 76 cm$6,000
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Jo BertiniOld Water (Native Mound Spring), 2025oil on French polyester canvas98 x 107 cm, 100.5 x 109.5 cm (framed)$10,000
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Jo BertiniSea-bite Headland, 2025oil on French polyester canvas170 x 205 cm (framed)$26,000
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Jo BertiniNight Walk in Mountain Mahogany and Caramel pines, 2025oil on French polyester canvas98 x 107 cm, 100.5 x 109.5 cm (framed)$10,000
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Kate BerginThe Pink Room, 2025oil on canvas140 x 105 cm (framed)$52,000
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Belinda FoxLooking Up III, 2025watercolour, collage, pen, acrylic spray on stained board90 x 110 cm (panel 1: 90 x 70 cm, panel 2: 49 x 39 cm, panel 3: 32 x 19.5 cm)Sold
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Belinda FoxLooking Up II, 2025watercolour, collage, pen, acrylic spray on stained board150 x 124 cm (panel 1: 130 x 90 cm, panel 2: 40 x 24 cm)Sold
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Leah FraserNo more shall we part, 2025acrylic on canvas122 x 91 cm, 124 x 93 cm (framed)$7,990
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Colin PennockJourney From Paradise, 2025oil on board122 x 122 cm, 124 x 124 cm (framed)$17,600
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Colin PennockVoice of Paradise, 2025oil on board122 x 244 cm, 124 x 246 cm (framed)$30,000
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Dean BowenOrange Bird with Ladybird Friends, 2024oil on linen91 x 116 cm, 94 x 119 cm (framed)$11,000
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Dean BowenEchidna (Adolescent), 2023bronze31 x 58 x 17.5 cmEdition of 9 (#9/9)$19,800
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Kendal MurrayOpen Air, Fan Fare, 2024mixed media assemblage with tea set38 x 17 x 12 cm, 55 x 27 x 22 cm (display)$7,990
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Jon EisemanAfter the Storm, 2020bronze77 x 33 x 25 cmEdition of 6 (#1/6)$16,500
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Hobie PorterSentinel, 2023oil on polyester canvas113 x 200 cm, 120 x 207 cm (framed)Sold
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Naomi HobsonSilent Reef, 2024acrylic on linen162 x 142 cm$18,000
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John Prince SiddonSave Our Barrier Reef, 2023acrylic on canvas60 x 60 cm$2,990Commissioned by Cement Fondu
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Samantha EvertonAutumn Migration, 2021pigment ink on cotton rag67 x 79 cm, 71 x 83 cm (framed)Edition of 5 plus 2 artist's proofs (AP 1/2)$4,200
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Danelle BergstromLonging, 2020oil on linen102 x 102 cm$17,000
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Lauren O'ConnorDaphne, 2024acrylic on board28 x 40 cm, 30.5 x 42.5 cm (framed)$1,200
Over the past three decades, Arthouse Gallery has distinguished itself as one of Australia’s leading contemporary art galleries. Currently representing over forty artists, the gallery is celebrating its 30th anniversary with two major exhibitions that showcase our leading stable of artists. We are delighted to present the second iteration of our anniversary celebrations: 30 Years Showcase.
Founded in 1993 by Directors Ali and Diana Yeldham, Arthouse began in a charming corner terrace in Paddington, Sydney, at the intersection of Elizabeth and Sutherland streets, opposite the Four In Hand Hotel. Designed to feel like a home with its aubergine exterior, colourful walls, and welcoming atmosphere, Arthouse embodied a vision of “Art for the People”— an egalitarian space that welcomed all, offering an alternative to the traditional white-cube gallery. This vision was fuelled by Ali and Di’s deep passion for the arts and their desire to provide emerging artists with a platform to showcase their work. Di brought her successful background as a fashion retailer, with her well-regarded stores Di Yeldham’s Squire Shop in Melbourne and the Squire Shop Sydney, while Ali, who studied Design and Fashion at Sydney College of the Arts, gained valuable experience working in London and Paris with celebrated designers Zandra Rhodes, Jean Paul Gaultier, and Christian Lacroix. Together, they formed a dynamic partnership that laid the foundation for Arthouse Gallery.
From the outset, Arthouse featured works by Australian artists across mediums of sculpture, furniture, design, and glass— showcasing the talents of emerging artists such as Mark Douglas, Ari Athans, Michael Kemp, Sophie Gralton, Tania Wursig, Jenny Orchard, Sarina Baker, Genola de Jong, Bridgit Thomas, David Herbert, Kate Sayers, Phil Champion, and Joshua Yeldham. With pieces available at all price points, Arthouse was the first gallery of its kind in Sydney. The gallery quickly gained popularity, becoming a dynamic cultural hub that attracted local clients, collectors, and international visitors. In 1995, it was recognized by The Sydney Morning Herald as one of the city’s top cultural destinations, capturing the imagination of art lovers far and wide.
As the audience grew, a space that could accommodate larger exhibitions was the next step, leading to the opening of Arthouse Gallery at its current location on 66 McLachlan Avenue, Rushcutters Bay. The new gallery, housed in a converted wool warehouse, surrounded by car mechanics, smash repair shops, and the Advanx Rubber Tyre Factory, marked a leap of faith for the founders. Nevertheless, their loyal clientele followed, and soon the area developed into a vibrant arts precinct with the arrival of Australian art and design icon Mambo and several other galleries.
Over its thirty-year history, Arthouse has championed the careers of over 130 artists from diverse backgrounds, allowing for a rich array of perspectives and experiences that contribute to Australia’s cultural landscape. Women artists and First Nations artists have been key focuses of Arthouse’s representation, with women now comprising 60% of its stable and receiving equitable recognition for their work.
The gallery has played a vital role in nurturing the careers of celebrated artists such as Belinda Fox, Kate Bergin, Joshua Yeldham, Jo Bertini, Danelle Bergstrom, Martine Emdur, and Clifford How. Through a dynamic and evolving exhibition program, Arthouse has promoted a greater understanding and appreciation of Australian and First Nations contemporary art, collaborating with renowned artists like John Prince Siddon, Rosie Tarku King, Naomi Hobson and Lydia Balbal, as well as arts centers including Mangkaja Arts, Iltja Ntjarra (Many Hands) Art Centre, The Hermannsburg Potters, and Bidyadanga Art Centre Kimberley.
Operating as a cultural hub, the gallery has engaged the wider community through lectures, concerts, readings, workshops, debates, and performances led by curators, authors, musicians, and artists. Collaboration has been a cornerstone of the gallery’s programming, with Arthouse initiating numerous projects that bring together artists and designers, including partnerships with Ginger & Smart, Space Furniture, Country Road, and some of Australia’s leading architects and designers.
At Arthouse, we believe that visual art is a powerful force that transcends boundaries, enabling us to communicate our identities and foster connections within our diverse society. Working in the visual arts with living artists has been both an honour and a privilege, inspiring us through the art and artists that make up our Arthouse Family. The creativity, insight, and bravery of these artists in sharing their personal expressions with the public is deeply valued by us all.
Many talented individuals have contributed to Arthouse Gallery over the past thirty years, and we wish to acknowledge and thank the intelligent, creative, and inspiring communicators, creatives, and administrators who have helped build this unique and special gallery, particularly Will Mansfield, who has made a significant contribution over the past decade to the gallery’s growth and the Arthouse community. This milestone exhibition marks an extraordinary achievement for Arthouse Gallery as it celebrates three impressive decades. It is a joyous recognition of the visionary partnership between Di and Ali Yeldham, their founding mission to bring “Art to the People of Australia” from its origins in Paddington, and now the extraordinary institution that Arthouse has become today.
We look forward to the next decade as Arthouse Gallery continues to build its community of art lovers and to elevate the voices of the extraordinary artists who contribute to the vibrant tapestry of Australian culture.