30 Year Showcase

30 August - 14 September 2025
Works
  • Jo Davenport, Blue Rag Track, 2025
    Jo Davenport
    Blue Rag Track, 2025
    oil on Belgian linen
    183 x 183 cm
    $28,000
  • Jo Davenport, Lost Love Song, 2025
    Jo Davenport
    Lost Love Song, 2025
    oil on Belgian linen
    168 x 137 cm
    $20,000
  • John Baird, Tulips, 2025
    John Baird
    Tulips, 2025
    acrylic, wallpaper and shellac on board
    100 x 100 cm, 102 x 102 cm (framed)
    $8,900
  • Aaron Kinnane, Coming Home To Better Days — Winter Rain, 2025
    Aaron Kinnane
    Coming Home To Better Days — Winter Rain, 2025
    oil on linen
    72 x 192 cm, 75.5 x 195.5 (framed)
    $15,000
  • Aaron Kinnane, Chop Wood – Carry Water I, 2025
    Aaron Kinnane
    Chop Wood – Carry Water I, 2025
    oil on board in artist frame of charred paulownia
    23 x 17.5 cm, 35 x 31.5 cm (framed)
    Sold
  • Aaron Kinnane, Chop Wood – Carry Water II, 2025
    Aaron Kinnane
    Chop Wood – Carry Water II, 2025
    oil on board in artist frame of charred paulownia
    20 x 17.5 cm, 39.5 x 25.5 cm (framed)
    $2,500
  • Aaron Kinnane, Coming Home To Better Days — Rain in the Evening, 2025
    Aaron Kinnane
    Coming Home To Better Days — Rain in the Evening, 2025
    oil on linen
    54 x 48 cm, 57.5 x 51.5 cm (framed)
    $5,400
  • Aaron Kinnane, Coming Home To Better Days — Rain in the Morning, 2025
    Aaron Kinnane
    Coming Home To Better Days — Rain in the Morning, 2025
    oil on linen
    54 x 48 cm, 57.5 x 51.5 cm (framed)
    $5,400
  • Martine Emdur, Obsidian Reverie, 2025
    Martine Emdur
    Obsidian Reverie, 2025
    oil on linen
    183 x 244 cm
    $ 85,000.00
  • Amelia Lynch, Blossoms in the Night, 2025
    Amelia Lynch
    Blossoms in the Night, 2025
    glazed ceramic
    Sold
  • Peter Simpson, Redleaf Revisited, 2025
    Peter Simpson
    Redleaf Revisited, 2025
    oil on linen
    91.5 x 183 cm, 92.5 x 185 cm (framed)
    $10,600
  • Emma Walker, Becoming, 2025
    Emma Walker
    Becoming, 2025
    acrylic on carved marine ply
    120 x 150 cm, 122 x 152 cm (framed)
    $16,500
  • Emma Walker, Interbeing I, 2025
    Emma Walker
    Interbeing I, 2025
    mixed media on paper
    58 x 35 cm (framed)
    $2,600
  • Emma Walker, Interbeing II, 2025
    Emma Walker
    Interbeing II, 2025
    mixed media on paper
    40 x 31 cm (framed)
    $2,400
  • Emma Walker, Interbeing III, 2025
    Emma Walker
    Interbeing III, 2025
    mixed media on paper
    40 x 31 cm (framed)
    $2,400
  • Shona Wilson, Summer Yantra, 2025
    Shona Wilson
    Summer Yantra, 2025
    insect wings on paper
    76 x 56 cm, 86 x 66 cm (framed)
    $4,990
  • Shona Wilson, Summer Mantra, 2025
    Shona Wilson
    Summer Mantra, 2025
    insect wings on paper
    76 x 56 cm, 86 x 66 cm (framed)
    $4,990
  • Nicola Moss, The Bonsai Room II, 2025
    Nicola Moss
    The Bonsai Room II, 2025
    acrylic and paper on linen
    152 x 224 cm, 155 x 227 cm (framed)
    $26,000
  • Nicola Moss, Tree Chorus II, 2025
    Nicola Moss
    Tree Chorus II, 2025
    acrylic and paper on linen
    112 x 152 cm, 115 x 155 cm (framed)
    Sold
  • Nicole Kelly, Twisted Limbs, 2022
    Nicole Kelly
    Twisted Limbs, 2022
    oil on linen
    86 x 71 cm
    $6,500
  • Clifford How, Desert Patterns – Fowlers Gap Study, 2025
    Clifford How
    Desert Patterns – Fowlers Gap Study, 2025
    gouache on paper
    20 x 22 cm, 35 x 37 cm (framed)
    $1,600
  • Clifford How, Desert Patterns – Fowlers Gap, 2025
    Clifford How
    Desert Patterns – Fowlers Gap, 2025
    oil on linen
    137.5 x 153 cm, 139.5 x 155 cm (framed)
    Sold
  • Dean Home, Secrets of the Blue Garden, 2025
    Dean Home
    Secrets of the Blue Garden, 2025
    oil on board
    122 x 160 cm
    $38,000
  • Michael Muir, Mountain Side
    Michael Muir
    Mountain Side
    oil on linen
    137 x 122 cm
    $24,000
  • Deborah Halpern, Dove, 2024
    Deborah Halpern
    Dove, 2024
    glass, steel, fibreglass & aluminium
    180 x 155 x 82 cm
    $80,000
  • Deborah Halpern, Monsieur Moustache, 2025
    Deborah Halpern
    Monsieur Moustache, 2025
    glass, steel, and fibreglass
    67 x 30 x 56 cm
    $25,000
  • Robyn Sweaney, Even Ground, 2025
    Robyn Sweaney
    Even Ground, 2025
    acrylic on polycotton
    50 x 70 cm, 52.5 x 72.5 cm (framed)
    Sold
  • Ian Greig, Whian Whian Afternoon, 2025
    Ian Greig
    Whian Whian Afternoon, 2025
    oil on linen
    101 x 101 cm
    $9,500
  • Ian Greig, Coastward, 2025
    Ian Greig
    Coastward, 2025
    oil on linen
    74 x 60 cm
    $4,990
  • Joshua Yeldham, Melody for an Owl, 2025
    Joshua Yeldham
    Melody for an Owl, 2025
    acrylic, cane and instrument on hand-carved board
    200.5 x 199.5 cm, 201.5 x 201 cm (framed)
    $140,000
  • Kate Dorrough, River Sediments, 2025
    Kate Dorrough
    River Sediments, 2025
    stoneware ceramic with glaze
    21.5 x 24 x 14 cm
    Sold
  • Kate Dorrough, Ancient Markings, 2025
    Kate Dorrough
    Ancient Markings, 2025
    stoneware ceramic with glaze
    26 x 17 x 13 cm
    Sold
  • Kate Dorrough, Embedded Sea, 2025
    Kate Dorrough
    Embedded Sea, 2025
    stoneware ceramic with glaze
    28 x 31 x 16 cm
    $2,200
  • Kate Dorrough, River Alchemy, 2025
    Kate Dorrough
    River Alchemy, 2025
    stoneware ceramic with glaze
    25 x 16 x 13 cm
    $1,800
  • Kate Dorrough, Heraldic Signs of an Ancient River, 2025
    Kate Dorrough
    Heraldic Signs of an Ancient River, 2025
    acrylic on linen
    137 x 152 cm
    $9,500
  • Kate Dorrough, Midnight Serenade, 2025
    Kate Dorrough
    Midnight Serenade, 2025
    acrylic on linen
    97 x 107 cm
    Sold
  • Michaye Boulter, Passages, 2025
    Michaye Boulter
    Passages, 2025
    oil on linen
    152.5 x 204.5 cm, 154.5 x 206.5 cm (framed) (dyptich 152.5 x 102 cm each)
    $29,500
  • Fabrizio Biviano, Flash a Casanova Smile, 2025
    Fabrizio Biviano
    Flash a Casanova Smile, 2025
    oil on Belgian linen
    91 x 76 cm
    $6,000
  • Jo Bertini, Old Water (Native Mound Spring), 2025
    Jo Bertini
    Old Water (Native Mound Spring), 2025
    oil on French polyester canvas
    98 x 107 cm, 100.5 x 109.5 cm (framed)
    $10,000
  • Jo Bertini, Sea-bite Headland, 2025
    Jo Bertini
    Sea-bite Headland, 2025
    oil on French polyester canvas
    170 x 205 cm (framed)
    $26,000
  • Jo Bertini, Night Walk in Mountain Mahogany and Caramel pines, 2025
    Jo Bertini
    Night Walk in Mountain Mahogany and Caramel pines, 2025
    oil on French polyester canvas
    98 x 107 cm, 100.5 x 109.5 cm (framed)
    $10,000
  • Kate Bergin, The Pink Room, 2025
    Kate Bergin
    The Pink Room, 2025
    oil on canvas
    140 x 105 cm (framed)
    $52,000
  • Belinda Fox, Looking Up III, 2025
    Belinda Fox
    Looking Up III, 2025
    watercolour, collage, pen, acrylic spray on stained board
    90 x 110 cm (panel 1: 90 x 70 cm, panel 2: 49 x 39 cm, panel 3: 32 x 19.5 cm)
    Sold
  • Belinda Fox, Looking Up II, 2025
    Belinda Fox
    Looking Up II, 2025
    watercolour, collage, pen, acrylic spray on stained board
    150 x 124 cm (panel 1: 130 x 90 cm, panel 2: 40 x 24 cm)
    Sold
  • Leah Fraser, No more shall we part, 2025
    Leah Fraser
    No more shall we part, 2025
    acrylic on canvas
    122 x 91 cm, 124 x 93 cm (framed)
    $7,990
  • Colin Pennock, Journey From Paradise, 2025
    Colin Pennock
    Journey From Paradise, 2025
    oil on board
    122 x 122 cm, 124 x 124 cm (framed)
    $17,600
  • Colin Pennock, Voice of Paradise, 2025
    Colin Pennock
    Voice of Paradise, 2025
    oil on board
    122 x 244 cm, 124 x 246 cm (framed)
    $30,000
  • Dean Bowen, Orange Bird with Ladybird Friends, 2024
    Dean Bowen
    Orange Bird with Ladybird Friends, 2024
    oil on linen
    91 x 116 cm, 94 x 119 cm (framed)
    $11,000
  • Dean Bowen, Echidna (Adolescent), 2023
    Dean Bowen
    Echidna (Adolescent), 2023
    bronze
    31 x 58 x 17.5 cm
    Edition of 9 (#9/9)
    $19,800
  • Kendal Murray, Open Air, Fan Fare, 2024
    Kendal Murray
    Open Air, Fan Fare, 2024
    mixed media assemblage with tea set
    38 x 17 x 12 cm, 55 x 27 x 22 cm (display)
    $7,990
  • Jon Eiseman, After the Storm, 2020
    Jon Eiseman
    After the Storm, 2020
    bronze
    77 x 33 x 25 cm
    Edition of 6 (#1/6)
    $16,500
  • Hobie Porter, Sentinel, 2023
    Hobie Porter
    Sentinel, 2023
    oil on polyester canvas
    113 x 200 cm, 120 x 207 cm (framed)
    Sold
  • Naomi Hobson, Silent Reef, 2024
    Naomi Hobson
    Silent Reef, 2024
    acrylic on linen
    162 x 142 cm
    $18,000
  • John Prince Siddon, Save Our Barrier Reef, 2023
    John Prince Siddon
    Save Our Barrier Reef, 2023
    acrylic on canvas
    60 x 60 cm
    $2,990
    Commissioned by Cement Fondu
  • Samantha Everton, Autumn Migration, 2021
    Samantha Everton
    Autumn Migration, 2021
    pigment ink on cotton rag
    67 x 79 cm, 71 x 83 cm (framed)
    Edition of 5 plus 2 artist's proofs (AP 1/2)
    $4,200
  • Danelle Bergstrom, Longing, 2020
    Danelle Bergstrom
    Longing, 2020
    oil on linen
    102 x 102 cm
    $17,000
  • Lauren O'Connor, Daphne, 2024
    Lauren O'Connor
    Daphne, 2024
    acrylic on board
    28 x 40 cm, 30.5 x 42.5 cm (framed)
    $1,200
Exhibition Text

Over the past three decades, Arthouse Gallery has distinguished itself as one of Australia’s leading contemporary art galleries. Currently representing over forty artists, the gallery is celebrating its 30th anniversary with two major exhibitions that showcase our leading stable of artists. We are delighted to present the second iteration of our anniversary celebrations: 30 Years Showcase. 

 

Founded in 1993 by Directors Ali and Diana Yeldham, Arthouse began in a charming corner terrace in Paddington, Sydney, at the intersection of Elizabeth and Sutherland streets, opposite the Four In Hand Hotel. Designed to feel like a home with its aubergine exterior, colourful walls, and welcoming atmosphere, Arthouse embodied a vision of “Art for the People”— an egalitarian space that welcomed all, offering an alternative to the traditional white-cube gallery. This vision was fuelled by Ali and Di’s deep passion for the arts and their desire to provide emerging artists with a platform to showcase their work. Di brought her successful background as a fashion retailer, with her well-regarded stores Di Yeldham’s Squire Shop in Melbourne and the Squire Shop Sydney, while Ali, who studied Design and Fashion at Sydney College of the Arts, gained valuable experience working in London and Paris with celebrated designers Zandra Rhodes, Jean Paul Gaultier, and Christian Lacroix. Together, they formed a dynamic partnership that laid the foundation for Arthouse Gallery.

From the outset, Arthouse featured works by Australian artists across mediums of sculpture, furniture, design, and glass— showcasing the talents of emerging artists such as Mark Douglas, Ari Athans, Michael Kemp, Sophie Gralton, Tania Wursig, Jenny Orchard, Sarina Baker, Genola de Jong, Bridgit Thomas, David Herbert, Kate Sayers, Phil Champion, and Joshua Yeldham. With pieces available at all price points, Arthouse was the first gallery of its kind in Sydney. The gallery quickly gained popularity, becoming a dynamic cultural hub that attracted local clients, collectors, and international visitors. In 1995, it was recognized by The Sydney Morning Herald as one of the city’s top cultural destinations, capturing the imagination of art lovers far and wide.

 

As the audience grew, a space that could accommodate larger exhibitions was the next step, leading to the opening of Arthouse Gallery at its current location on 66 McLachlan Avenue, Rushcutters Bay. The new gallery, housed in a converted wool warehouse, surrounded by car mechanics, smash repair shops, and the Advanx Rubber Tyre Factory, marked a leap of faith for the founders. Nevertheless, their loyal clientele followed, and soon the area developed into a vibrant arts precinct with the arrival of Australian art and design icon Mambo and several other galleries.

 

Over its thirty-year history, Arthouse has championed the careers of over 130 artists from diverse backgrounds, allowing for a rich array of perspectives and experiences that contribute to Australia’s cultural landscape. Women artists and First Nations artists have been key focuses of Arthouse’s representation, with women now comprising 60% of its stable and receiving equitable recognition for their work.

 

The gallery has played a vital role in nurturing the careers of celebrated artists such as Belinda Fox, Kate Bergin, Joshua Yeldham, Jo Bertini, Danelle Bergstrom, Martine Emdur, and Clifford How. Through a dynamic and evolving exhibition program, Arthouse has promoted a greater understanding and appreciation of Australian and First Nations contemporary art, collaborating with renowned artists like John Prince Siddon, Rosie Tarku King, Naomi Hobson and Lydia Balbal, as well as arts centers including Mangkaja Arts, Iltja Ntjarra (Many Hands) Art Centre, The Hermannsburg Potters, and Bidyadanga Art Centre Kimberley.

 

Operating as a cultural hub, the gallery has engaged the wider community through lectures, concerts, readings, workshops, debates, and performances led by curators, authors, musicians, and artists. Collaboration has been a cornerstone of the gallery’s programming, with Arthouse initiating numerous projects that bring together artists and designers, including partnerships with Ginger & Smart, Space Furniture, Country Road, and some of Australia’s leading architects and designers.

 

At Arthouse, we believe that visual art is a powerful force that transcends boundaries, enabling us to communicate our identities and foster connections within our diverse society. Working in the visual arts with living artists has been both an honour and a privilege, inspiring us through the art and artists that make up our Arthouse Family. The creativity, insight, and bravery of these artists in sharing their personal expressions with the public is deeply valued by us all. 

 

Many talented individuals have contributed to Arthouse Gallery over the past thirty years, and we wish to acknowledge and thank the intelligent, creative, and inspiring communicators, creatives, and administrators who have helped build this unique and special gallery, particularly Will Mansfield, who has made a significant contribution over the past decade to the gallery’s growth and the Arthouse community. This milestone exhibition marks an extraordinary achievement for Arthouse Gallery as it celebrates three impressive decades. It is a joyous recognition of the visionary partnership between Di and Ali Yeldham, their founding mission to bring “Art to the People of Australia” from its origins in Paddington, and now the extraordinary institution that Arthouse has become today.

 

We look forward to the next decade as Arthouse Gallery continues to build its community of art lovers and to elevate the voices of the extraordinary artists who contribute to the vibrant tapestry of Australian culture.

 
Installation Views