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Works
  • Colin Pennock, A Path Out of Retreat, 2021
    Colin Pennock
    A Path Out of Retreat, 2021
    oil on linen
    140 x 200 cm, 142 x 202 cm (framed)
    Sold
  • Colin Pennock, Coast Guide, Spirit Tide, 2021
    Colin Pennock
    Coast Guide, Spirit Tide, 2021
    oil on linen
    140 x 200 cm, 142 x 202 cm (framed)
    Sold
  • Colin Pennock, Coastal Awakening, 2021
    Colin Pennock
    Coastal Awakening, 2021
    oil on linen
    200 x 200 cm, 202 x 202 cm (framed)
  • Colin Pennock, Elders and Ancestors Voices, 2021
    Colin Pennock
    Elders and Ancestors Voices, 2021
    oil on linen
    140 x 200 cm, 142 x 202 cm (framed)
    Sold
  • Colin Pennock, Hidden Safe, 2021
    Colin Pennock
    Hidden Safe, 2021
    oil on linen
    61 x 61 cm, 63 x 63 cm (framed)
    Sold
  • Colin Pennock, If We Never Get Close, 2021
    Colin Pennock
    If We Never Get Close, 2021
    oil on linen
    80 x 80 cm, 82 x 82 cm (framed)
    Sold
  • Colin Pennock, Lost and Revealed, 2021
    Colin Pennock
    Lost and Revealed, 2021
    oil on linen
    140 x 200 cm, 142 x 202 cm (framed)
    Sold
  • Colin Pennock, Sacred Coast Site, 2021
    Colin Pennock
    Sacred Coast Site, 2021
    oil on linen
    140 x 140 cm, 142 x 142 cm (framed)
    Sold
  • Colin Pennock, Seventeen Something, 2021
    Colin Pennock
    Seventeen Something, 2021
    oil on linen
    140 x 140 cm, 142 x 142 cm (framed)
    Sold
  • Colin Pennock, Somewhere Like Here, 2021
    Colin Pennock
    Somewhere Like Here, 2021
    oil on linen
    61 x 61 cm, 63 x 63 cm (framed)
    Sold
  • Colin Pennock, Spirit Landing, 2021
    Colin Pennock
    Spirit Landing, 2021
    oil on linen
    80 x 80 cm, 82 x 82 cm (framed)
    Sold
  • Colin Pennock, The Last Claim, 2021
    Colin Pennock
    The Last Claim, 2021
    oil on linen
    61 x 61 cm, 63 x 63 cm (framed)
    Sold
  • Colin Pennock, To Follow Gentle Voices, 2021
    Colin Pennock
    To Follow Gentle Voices, 2021
    oil on linen
    200 x 200 cm, 202 x 202 cm (framed)
    Sold
  • Colin Pennock, Turning Point, 2021
    Colin Pennock
    Turning Point, 2021
    oil on linen
    107 x 122 cm, 109 x 124 cm (framed)
    Sold
Exhibition Text

Colin Pennock works intuitively, guided not by narrative but by the visceral act of painting. Harnessing the expressive power of oil, the artist externalises his inner cosmos in ways that are both gently private and vastly inclusive. The self-described “vortex” of Pennock’s psychic landscape is transcribed in poetic pieces; spectral shards of memory that splice into the picture plane. An urgency to record is sensed in Pennock’s community of marks, which crash into focus like a wave before softening into whitewash at the base of each picture. It’s a tidal movement that feels at once relentless and calm, as if the oil-clad linen is breathing, swelling in silent inhalation before releasing an eternal, soothing exhale. This pendulum swing abstractly chronicles the emotional undulations of the artist as he helms the threshold between mind and canvas.

 

Awash with brooding blues, cool ivories and wintry mauves, Pennock’s newest paintings are infused with a longing to reconnect with family in the United Kingdom at a time when global travel was suspended. Icy shards of oil splinter into foggy horizons as faraway landscapes float in the distance, glimpsed from across the ocean. Foreground and background, present and past, collide in a tapestry of truncated marks and gradational hues, and yet these polarities are also united, inseparable. Memory and the remembered, it seems, form the horizon of our present. There are formal innovations in these works, too, such as dried pieces of paint from Pennock’s palette incorporated into fresh impasto paint. This new technique creates a variation of space as the eye travels through soft washes to dried paint areas – reminiscent of weathered forms. “It reminds me of crumbling ruins on coastlines of distant shores,” reflects the artist – a metaphor, perhaps, for the abrasion of memories, bygone moments and former selves.

 

During the creation of this series, Pennock found himself waking from his sleep each night to strange visions of complicated lights on the ceiling. Some of the glows resembled numerical forms and characters, while others evoked organic forms. These apparitions became, for the artist, the presence of benevolent spirits. The phenomenon was awe-inspiring, and reassuring – meaningful, in a mysterious way. We can see, in Pennock’s looser application of paint, a sense of surrender to the forces around us. In Coast Guide, Spirit Tide, the movement of paint falls upon a vista of a space illuminated by a distant guiding light; a warm, comforting glow. Staccato patterns of paint are like orchestral arrangements in Elders and Ancestors’ Voices, creating polychromatic symphonies that resound with otherworldly energy. Each swathe of oil contains within its leathery membrane the untold melodies and gentle voices of forces unseen.

 

With his studio and home nestled in the dense bush of the Noosa Hinterland, Pennock is informed, consciously or not, by the native flora and fauna within which he is immersed – something that became especially pronounced during the pandemic. Whilst making this series, wildlife was drawn to the works in new and unexpected ways. Bees and other insects interacted with the paint as if it were a field of flowers. Meanwhile, a goanna found its way into the studio, knocking over several works that then led Pennock to rework certain compositions.

 

In all their vastness and intimacy, these works speak of the tight connective tissue between individual experience and collective being – between the lone wave descending on the shore and the entire endless ocean. Pennock is aware of this ontological continuum, and though he has honed a private opticality, his paintings are always left open, ready and waiting for us to complete the picture.

Installation Views