Video
Works
  • Joshua Yeldham, Bougainvillea Owl, 2023
    Joshua Yeldham
    Bougainvillea Owl, 2023
    acrylic on hand-carved board
    245.5 x 200.5 cm, 246.5 x 201.5 cm (framed)
    Sold
  • Joshua Yeldham, Surrender Tree – Morning Bay, 2023
    Joshua Yeldham
    Surrender Tree – Morning Bay, 2023
    hand-carved pigment print on canvas on aluminium with acrylic, cane and string
    201.5 x 201.5 cm (framed)
    Sold
  • Joshua Yeldham, Spirit of Motherhood, 2023
    Joshua Yeldham
    Spirit of Motherhood, 2023
    hand-carved pigment print on canvas on aluminium with acrylic, cane, ceramic and wood
    201 x 201 cm (framed)
    Sold
  • Joshua Yeldham, Trinity, 2023
    Joshua Yeldham
    Trinity, 2023
    hand-carved pigment print on canvas on aluminium with acrylic, cane, wire in cedar artist frame
    251.5 x 151.5 cm (framed)
  • Joshua Yeldham, Kyoto Studio with Spider Web, 2023
    Joshua Yeldham
    Kyoto Studio with Spider Web, 2023
    hand-carved pigment print on canvas on aluminium with acrylic and wire in cedar artist frame
    200 x 200 cm (framed)
  • Joshua Yeldham, Morning Bay – Owl Fertility, 2023
    Joshua Yeldham
    Morning Bay – Owl Fertility, 2023
    hand-carved pigment print on canvas on aluminium with acrylic and cane
    151 x 252 cm (framed)
    Sold
  • Joshua Yeldham, Providence, 2023
    Joshua Yeldham
    Providence, 2023
    hand-carved pigment print on canvas on aluminium with acrylic and cane
    198 x 150 cm (framed)
    Sold
  • Joshua Yeldham, Fertility Tree – Morning Bay, 2023
    Joshua Yeldham
    Fertility Tree – Morning Bay, 2023
    hand-carved pigment print on canvas on aluminium with acrylic and cane
    201 x 201 cm (framed)
    Sold
  • Joshua Yeldham, Joshua Tree – Terracotta, 2022
    Joshua Yeldham
    Joshua Tree – Terracotta, 2022
    hand-carved pigment print on paper with clay stain
    198 x 198 cm, 206.5 x 206.5 cm (framed)
    Sold
  • Joshua Yeldham, Morning Bay, 2019
    Joshua Yeldham
    Morning Bay, 2019
    hand-carved drystone on pigment print on dibond
    158 x 149 cm, 164 x 155 x 12 cm (framed)
  • Joshua Yeldham, Driftwood – Snake Head, 2023
    Joshua Yeldham
    Driftwood – Snake Head, 2023
    hand-carved pigment print on canvas on aluminium with acrylic and cane
    190.5 x 128.5 cm (framed)
    Sold
  • Joshua Yeldham, Driftwood – Lord Howe Island, 2023
    Joshua Yeldham
    Driftwood – Lord Howe Island, 2023
    hand-carved pigment print on canvas on aluminium with acrylic and cane
    148 x 148 cm, 150.5 x 150.5 cm (framed)
    Sold
  • Joshua Yeldham, Owl Wood, 2023
    Joshua Yeldham
    Owl Wood, 2023
    hand-carved pigment print on canvas on aluminium with acrylic and cane
    148 x 148 cm, 150.5 x 150.5 cm (framed)
    (1 in a series of 9)
    Sold
  • Joshua Yeldham, Spring Owl, 2023
    Joshua Yeldham
    Spring Owl, 2023
    ceramic
    40 x 34 x 20 cm
    Sold
  • Joshua Yeldham, Agapanthus Owl, 2023
    Joshua Yeldham
    Agapanthus Owl, 2023
    ceramic
    40 x 34 x 18 cm
    Sold
  • Joshua Yeldham, Lily Owl, 2023
    Joshua Yeldham
    Lily Owl, 2023
    ceramic, acrylic and cane
    40 x 45 x 22 cm
    Sold
  • Joshua Yeldham, Dog Owl, 2023
    Joshua Yeldham
    Dog Owl, 2023
    ceramic, drystone and cedar
    54 x 34 x 34 cm
    Sold
  • Joshua Yeldham, Spellbound Owl, 2023
    Joshua Yeldham
    Spellbound Owl, 2023
    ceramic and cane
    42 x 33 x 31 cm
    Sold
  • Joshua Yeldham, Gliding Owl, 2023
    Joshua Yeldham
    Gliding Owl, 2023
    ceramic, acrylic, cane, drystone and cedar
    38 x 34 x 34 cm
    $7,000
  • Joshua Yeldham, Night Hunter Owl, 2023
    Joshua Yeldham
    Night Hunter Owl, 2023
    ceramic
    39 cm diameter
    Sold
  • Joshua Yeldham, Honey Owl Lantern, 2023
    Joshua Yeldham
    Honey Owl Lantern, 2023
    ceramic
    37 cm diameter
    Sold
  • Joshua Yeldham, Owl of Clay Moon Lantern, 2023
    Joshua Yeldham
    Owl of Clay Moon Lantern, 2023
    ceramic
    35 cm diameter
    Sold
  • Joshua Yeldham, Morning Bay, 2023
    Joshua Yeldham
    Morning Bay, 2023
    ceramic
    35 cm diameter
    Sold
  • Joshua Yeldham, Upside Down Owl, 2023
    Joshua Yeldham
    Upside Down Owl, 2023
    ceramic
    33 cm diameter
    Sold
  • Joshua Yeldham, Olive Owl, 2023
    Joshua Yeldham
    Olive Owl, 2023
    ceramic
    34 cm diameter
    Sold
  • Joshua Yeldham, Owl of Providence, 2023
    Joshua Yeldham
    Owl of Providence, 2023
    ceramic
    34 cm diameter
    Sold
  • Joshua Yeldham, Growing to the Stars, 2023
    Joshua Yeldham
    Growing to the Stars, 2023
    ceramic
    31 cm diameter
    Sold
  • Joshua Yeldham, Owl of Black Fertility, 2022
    Joshua Yeldham
    Owl of Black Fertility, 2022
    ceramic
    33 cm diameter
    Sold
  • Joshua Yeldham, Night Owl, 2023
    Joshua Yeldham
    Night Owl, 2023
    ceramic
    25 cm diameter
    Sold
  • Joshua Yeldham, Sand Owl, 2023
    Joshua Yeldham
    Sand Owl, 2023
    ceramic
    26 cm diameter
    Sold
  • Joshua Yeldham, Mud Owl, 2023
    Joshua Yeldham
    Mud Owl, 2023
    ceramic
    25 cm diameter
    Sold
  • Joshua Yeldham, Owl Eyes, 2023
    Joshua Yeldham
    Owl Eyes, 2023
    ceramic
    26 cm diameter
    Sold
  • Joshua Yeldham, Black Diamond Owl, 2022
    Joshua Yeldham
    Black Diamond Owl, 2022
    ceramic
    26 cm diameter
    Sold
Exhibition Text

Arthouse Gallery is delighted to present ‘In Return’, an evocative photomedia exhibition by leading contemporary artist Joshua Yeldham.

 

In December 2023 Yeldham’s unique hand-carved photographic practice will be highlighted in the National Gallery of Victoria ‘Triennial’ exhibition. The NGV has acquired Resonance (8 in a series of 9) for their permanent collection. The work features embellishments of acrylic paint, cane, wood and string.

 

The ‘Triennial’ series signifies one of the most ambitious and exciting projects ever embarked on by the NGV. ‘Triennial’ 2017 and ‘Triennial’ 2020 challenged, confronted, and inspired us to see the world differently – through the lens of artists and designers in the contemporary, art, design and architectural space from around the globe. Exploring current issues through ground-breaking works narrated by contemporary artists and designers, ‘Triennial’ 2023 will challenge visitors to think differently. Tony Ellwood AM, Director – National Gallery of Victoria

 

‘In Return’ continues and expands upon Yeldham’s complex photographic practice. The time the artist takes to paint, carve, and sculpt each piece is rewarded by the time it deserves to know them: To connect with the vibrational hum between positive and negative space.

 


 

 In Return – Georgina Reid

 

It is impossible to meander through life without entanglement. Without becoming both knotted and unspooled, woven and unwoven. It is possible, however, to be unaware of the threads that bind. To exist in a place where the fine silken string that ties me and you, rock and heron, mud and star is rendered invisible. Blotted out by the noise. Swept away by the speed.

 

This shimmering thread makes and unmakes worlds. If you trace it with curiosity and attention, like Joshua Yeldham, you will rise to the moon and sink to the bottom of the river. You will climb mountain peaks and dissolve into the space between rock and sky. You will laugh and cry and draw and make and where you've been might best be described as a mystery. What is less mysterious is where the thread leads: It returns, always, to the earth beneath our soft-soled animal feet.

 

Yeldham's work is an act of tending and care, weaving and reweaving. See Surrender Tree. See how he wraps the ancient mangrove with line and light and the tenderest touch. Follow the bands of cane adorning the sinuous trunk, tapping into invisible energetic realms. Trace the strings running from node to node, lines of support and connection. Track the tiny, intricate marks carved and scraped and drilled into the tree trunks. See how the light – glistening and alive – emerges from the canopy, coaxed by Yeldham's hand. It is not enough only to imagine care. No, it is a physical act.

 

Now imagine, for a minute, being a spider. Climb to the highest point you can, raise your stomach to the sun and release your finest silken gossamer. Wait. Wait. Wait. Until the wind catches the thread and pulls you aloft, soaring skyward towards worlds unknown. Ballooning, it’s called, this act of trust in sky and silk. As illustrated in Fertility Tree – Morning Bay, it is an action of release and connection, weaving and unravelling. 'I've created my own language in the trees,' Yeldham says of the work. He talks of caress, how sometimes ideas and energies touch us in places quiet and hidden yet eternal. How a web is also an embrace.

 

Looping strands glimmer and dance in the iridescent light, linking branch to sky and beyond. Winding cane webs spiral softly in the wind. There is movement here. Energy here. Release here.

 

Surrender. Yes, surrender to the shimmering thread.

Installation Views